大众化缘何具有“活力”——以陈白尘戏剧理论与实践的转向为线索  

Why Popularization Is of vitality:Tracing the Shift of Chen Baichen’s Theory and Creation

作　　者：陈晰 王健 CHEN Xi;WANG Jian(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南第一师范学院学报》2025年第2期76-84,共9页Journal of Hunan First Normal University

基　　金：国家社会科学基金重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)。

摘　　要：作为革命“同路人”的陈白尘以戏剧运动的方式参与到了文艺大众化的实践中,其经历极富独特性。陈白尘参与过三次革命活动,并因此遭遇过牢狱之灾,通过这些经历逐渐深化了对大众观念的认知,使其理论从启蒙转向了革命。剖析陈白尘此时戏剧创作的转向,不仅能够揭示大众化理论活力的根源,亦可拓展我们对文艺大众化实践路径的认知,丰富我们对革命的理解方式。As a fellow revolutionary of the Communist Party of China,Chen Baichen participated in the practice of popularization literature and art through dramatic movements,and his experience was highly unique.Chen Baichen participated in three revolutionary activities and suffered imprisonment as a result.Through these experiences,he gradually deepened his understanding of popular ideas and shifted his theory from enlightenment to revolution.Analyzing Chen Baichen’s shift in dramatic creation at this time can not only reveal the root of the vitality of popularization theory,but also expand the understanding of the practical path of popularizing literature and art,and enrich our way of understanding revolution.

关 键 词：陈白尘 文艺大众化 南国社 戏剧 

分 类 号：I209[文学—中国文学]