“碑史同源”“保守调和”——欧阳修《范公神道碑》的文史政内涵  

'The Same Origin of Steles and History'and'Conservative Harmony':The Cultural,Historical,and Political Connotations of Ouyang Xiu's"Monument to Fan Gong"

作　　者：张懿菲 ZHANG Yifei(School of Literature,Central China Normal University,Wuhan 430079,Hubei,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《岭南师范学院学报》2025年第1期72-80,共9页Journal of Lingnan Normal University

摘　　要：欧阳修在至和年间受托为范仲淹写作《神道碑》,但碑文一出却引发争议,其碑文书写方式引起富弼的不满,“范吕解仇”的内容也不被范纯仁认可,但欧阳修对于碑文书写格外坚持并拒绝承认范纯仁删改后的碑文为其所作。欧阳修之所以持这种态度,是因为在“碑史同源”的撰文观念下,他对碑文寄寓了微言大义、信史实录与理想人格的内涵。在文史内涵背后,其历经政治风波后保守调和的立场也在一定程度上影响了碑文撰写的内容与方式,争议下的党争书写蕴含着欧阳修的政治反思,也可见欧阳修集“文学家-史学家-政治官僚”于一身的身份特征在碑文书写中的考量。Ouyang Xiu was entrusted to write an article of the Monument for Fan Zhongyan during Zhihe period,but the inscription sparked controversy shortly after it was made public.For one thing,the writing style of the inscription caused dissatisfaction in Fu Bi.For another,the content of"Fan Lv Resolving Enmity"of the inscription was not accepted by Fan Chunren.However,Ouyang Xiu insisted on his writing style and refused to admit that Fan Chunren's edited inscription was his original work.The reason why Ouyang Xiu held this attitude was that he believed in the function of‘sublime words with deep meaning',‘a true historical record'and‘ideal personality'of inscription with the idea of"the same origin of steles and history".Behind the cultural and historical connotations,his conservative and harmonious stance after experiencing the political turmoil has also influenced the content and writing style of the inscription to some extent.The controversial party struggle writing contains Ouyang Xiu's political reflection,which also shows Ouyang Xiu's consideration of his identity as a"writer-historian-political bureaucrat"in inscription writing.

关 键 词：欧阳修 《范公神道碑》 碑志笔法 庆历党争 

分 类 号：I206[文学—中国文学]