奇峭之笔:中国早期山水画风格及相关问题  

Bold and Steep: The Early Chinese Landscape Artistic Style and the Issues Concerned

作　　者：胡译文[1] Hu Yiwen

机构地区：[1]中央美术学院人文学院

出　　处：《故宫博物院院刊》2025年第4期119-142,159,共25页Palace Museum Journal

摘　　要：新出土的苏孝斌夫妇墓石椁线刻山水画及与其同时代的考古出土山水图像、敦煌山水壁画和正仓院绘画等材料显示,唐代流行一类奇峭的山水画风,这一风格不仅盛行于世俗山水,也见于佛教绘画,尤其是堕崖图像,对险峻高山的描绘可溯源至魏晋南北朝。据现存实物和文献记载,唐代山水尚未出现南北之别,这一分化发生于晚唐五代,确立于北宋,而唐代流行的奇峭山水,经由晚唐五代的发展,最终于北宋发展为北方的雄伟山水。The newly unearthed line-engraved landscape paintings from the stone outer coffin of Su Xiaobin and his wife's tomb, along with contemporary archaeological landscape imagery, Dunhuang cave murals, and paintings preserved in the Shōsōin Repository demonstrate that Tang Dynasty landscape paintings are of the bold, steep feature, which are popular in both secular and Buddhist art, especially as cliff-carving. The pictorial steep mountain dates back to the Wei, Jin, and Northern-Southern Dynasties. As is recorded by the survival objects and historical documents, the division of the Tang landscape painting by northern and southern styles emerges in the late Tang and Five Dynasties, comes into being by the Northern-Song dynasty. The tang-dynasty bold and steep landscapes go through the late Tang and the Five Dynasties to make the grand mountains and waters of the northern in the Northern-Song dynasty eventually.

关 键 词：苏孝斌夫妇墓 唐代山水画 奇峭 《溪岸图》 

分 类 号：J212[艺术—美术]