体验与修养:霍夫曼小说《延音符》的跨媒介叙事论析  

Experience and Cultivation:An Analysis of the Intermediality in Hoffmann’s Novel Die Fermate

作　　者：张克芸[1] ZHANG Keyun(School of Foreign Studies,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学外国语学院,上海200092

出　　处：《同济大学学报(社会科学版)》2025年第2期10-20,共11页Journal of Tongji University:Social Science Edition

摘　　要：霍夫曼的《延音符》是德意志浪漫派跨媒介叙事艺术的代表。《延音符》将文学、绘画、音乐三者融为一体,以音乐曲式结构编排小说情节,通过图像内容建构小说意义。形式上,小说通过一幅展现音乐场景的油画引出观画者的体验性反思和叙事,从而实现诗、音、画三者的媒介融合;题旨上,小说突破经验感官的限制,揭示出一条通达综合艺术体验的修养之路,它是对19世纪初德意志现实分裂状态的反向对照,传达出德意志浪漫派对“总体艺术”的美学追求,同时也是一次在精神领域走向整体之路的文艺实践。Hoffmann’s Die Fermate is a representative work of intermedial narration in German Romanticism.Die Fermate integrates literature,painting and music,arranging its plot with musical forms,and constructing the meaning of the novel through visual imagery.Formally,it invites readers into experiential reflection and narration through an oil painting that displays a musical scene,thus achieving a media fusion of poetry,sound,and painting.Thematically,the novel breaks through the limitations of empirical senses,revealing a path to a comprehensive artistic experience,which is a counterpoint to the divided state of German reality in the early 19th century,conveying the German Romantics’aesthetic pursuit of“total art”,and also an artistic practice towards the path of wholeness in the spiritual realm.

关 键 词：《延音符》 跨媒介叙事 艺格敷词 以文述图 以文述乐 

分 类 号：I516.074[文学—其他各国文学]