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作 者:袁寿玉 YUAN Shouyu
机构地区:[1]烟台南山学院音乐与舞蹈学院,龙口265700
出 处:《浙江艺术职业学院学报》2025年第1期11-15,共5页Journal of Zhejiang Vocational Academy of Art
摘 要:上海自开埠以来在戏剧表演及理论研究领域的发展一直处于全国的引领地位。晚清以降,上海戏剧期刊经历了由诞生到发展壮大,再到繁荣昌盛、百花齐放的演变。结合晚清民国时期的世界格局、政治军事斗争和社会环境变迁,并按照戏剧期刊生存发展的外部环境与内在特征的差异,上海戏剧期刊在晚清民国的发展可分为辛亥革命前后时期、“五四”及左翼时期、“孤岛”抗战及战后时期三个阶段。通过对三个时期上海戏剧期刊的梳理与分析,描绘自晚清以来至民国结束上海戏剧期刊发展的概况和阶段性特征。Since its opening as a port,Shanghai has been in a leading position in the development of drama perform⁃ance and theoretical research in the country.Since the late Qing Dynasty,Shanghai drama journals have entered an evolutionary stage from birth to development and growth,and then to prosperity and flourishing.Combining the world pattern,political and military struggles and social environment changes in the late Qing Dynasty and the Republic of China.According to the differences in the external environment and internal characteristics of the survival and devel⁃opment of drama journals,the development of Shanghai drama journals in the late Qing Dynasty and the Republic of China can be divided into three stages:the period before and after the Revolution of 1911,the“May Fourth Move⁃ment”and the left-wing period,and the“isolated island”war of resistance and the post-war period.The paper de⁃scribes the overview and stage characteristics of the development of Shanghai drama journals from the late Qing Dy⁃nasty to the end of the Republic of China by sorting out and analyzing Shanghai drama journals in these three periods.
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