守正创新:文化双创背景下非遗舞蹈的艺术表达与现代重塑研究  

Preservation and Innovation:Artistic Expression and Modern Transformation of Intangible Cultural Heritage Dance under the Background of Cultural Dual Creation

作　　者：李佳霓 LI Jiani

机构地区：[1]重庆开放大学、重庆工商职业学院,重庆401520

出　　处：《浙江艺术职业学院学报》2025年第1期93-97,共5页Journal of Zhejiang Vocational Academy of Art

基　　金：重庆市教育委员会人文社会科学研究项目“‘文化双创’背景下重庆地区‘非遗’舞蹈舞台创作研究”(项目编号:24SKGH345)阶段性研究成果。

摘　　要：在全球化与现代化的浪潮冲击下,非遗舞蹈面临传承困境,“文化双创”理念为其带来新机遇。非遗舞蹈的现代重塑可从三方面着手:深入田野提炼非遗精华,精准把握其核心精髓;内容立意彰显中国精神,融合民族与时代精神;形式重构遵循现代审美,运用现代编舞技法塑造特色文化形象。以原创舞蹈作品《手龙人》为例,该作品精准融合铜梁龙舞等非遗元素,创新舞蹈形式,挖掘并传递巴渝文化内涵与民族精神。因此,非遗舞蹈传承发展需秉持“守正创新”理念,实现传统与现代融合。Under the impact of globalization and modernization,intangible cultural heritage(ICH)dance faces chal⁃lenges in inheritance,and the concept of“cultural dual creation”brings new opportunities.The modern transforma⁃tion of ICH dance can be approached from three aspects:deeply explore the essence of ICH through fieldwork,accu⁃rately grasp its core essence;the content reflects the Chinese spirit,integrating national and contemporary spirit;the form is reconstructed following modern aesthetics,using modern choreographic techniques to shape a distinctive cul⁃tural image.Taking Hand Dragon People as an example,this work precisely integrates ICH elements such as the Tongliang Dragon Dance,innovating dance forms,and exploring and conveying the cultural connotations and national spirit of the Ba and Yu regions.Therefore,the inheritance and development of ICH dance need to adhere to the con⁃cept of“preservation and innovation”,achieving a fusion of tradition and modernity.

关 键 词：文化双创 非遗舞蹈 舞台创作 形式重构 手龙人 

分 类 号：J704[艺术—舞蹈]