表演与媒介:从温州鼓词看口头传统的传承路径  

Performance and Media:Oral Tradition Transmission Paths from Wenzhou Guci

作　　者：柯怡冰 KE Yibing

机构地区：[1]上海大学,上海200444

出　　处：《浙江艺术职业学院学报》2025年第1期119-125,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：温州鼓词是流行于瓯江流域的一种民间说唱形式。在口头传统的活态传承不断消解的当下,温州鼓词仍然活跃于温州民众的日常生活中。大词依托民众的信仰在庙宇中现场表演,艺人运用口头程式建构演唱复杂宏大的神灵故事,并用严密的仪式和严格的规范来凝聚听众。而平词则在经历发展与传承危机后,借助电子媒介技术进行传播。在政府、商业、艺人个体的不同权力话语中,发展出广播、录音带、VCD和互联网等多样的传播形态,在音像化的过程中逐渐形成了以文本为中心、追求文本雅化和书面化的传承方式。温州鼓词从自身表演艺术特点出发,通过电子媒介与现场展演两种传播形式共同传承,使其在当下仍然展现出勃勃生机。Wenzhou Guci is a popular folk oral form in the Ou River valley.At a time when the living heritage of oral tradition is constantly dissolving,Wenzhou Guci remains active in the daily lives of Wenzhou people.Da ci relies on the folk beliefs of the masses and continues to be performed repeatedly in temples.The performers use oral formula to construct and sing complex and grandiose stories of the gods and goddesses,and use strict rituals and regulations to rally the audience.On the other hand,Ping ci is transmitted through electronic media after the crisis in its development and transmission.In the different power discourses of government,business,and individual performers,diverse forms of communication such as radio,cassette,VCD,and the Internet have evolved.And during the process of audiovisual production,it has developed into a form of transmission that is text-centered and pursues the elegance and writing of the text.Based on the performance characteristics,suitable transmission forms of electronic media and live performances,Wenzhou Guci have been chosen to ensure its vitality in the present.

关 键 词：温州鼓词 表演 电子媒介 口头传统 

分 类 号：J617.9[艺术—音乐] J826