数字文化产品市场准入的国际法规制  

Regulation of Market Access for Digital Cultural Products through International Law

作　　者：谭观福 TAN Guanfu

机构地区：[1]中国社会科学院国际法研究所

出　　处：《武大国际法评论》2025年第1期19-35,共17页Wuhan University International Law Review

基　　金：作者主持的2023年度国家社科基金青年项目“跨境数据流动风险防范法律规制研究”(23CFX069)的阶段性研究成果。

摘　　要：数字贸易中相当数量的数字产品属于文化产品,即兼具经济和文化双重属性的数字文化产品。在WTO多边谈判中,各成员对于文化产品市场准入存在的巨大分歧,致使WTO未能形成文化产品贸易的专门规则,但WTO规则对文化产品的市场准入仍可进行有限规制。在FTA中,数字文化产品市场准入通常存在两种模式,分别是“非歧视待遇+有限例外”模式和“文化例外+文化合作议定书”模式,二者均具有一定的合理性。CPTPP和DEPA采用了第一种模式,规定了数字产品的非歧视待遇,同时基于文化安全的考量规定了广播例外。中国应统筹发展与安全,为数字文化产品市场准入争取国内规制空间,同时逐步开放数字文化产品市场。A considerable number of digital products in digital trade belong to cultural prod-ucts,which are digital cultural products with both economic and cultural attributes.In the multilater-al negotiations of the WTO,there are significant differences among members regarding market ac-cess for cultural products,which has prevented the WTO from forming specialized rules for cultural product trade.However,WTO rules can still provide limited regulation on market access for cultural products.In FTA,there are usually two modes of market access for digital cultural products,namely the“non-discriminatory treatment plus limited exceptions”mode and the“cultural exceptions plus cultural cooperation protocol”mode,both of which have certain rationality.CPTPP and DEPA adopt the first model,which stipulates non-discriminatory treatment for digital products,while also provides broadcasting exceptions based on cultural security considerations.China should coordinate development and security,strive for domestic regulatory space for market access of digital cultural products,and gradually open up the market of digital cultural products.

关 键 词：数字文化产品 数字产品 文化产品 数字贸易 CPTPP DEPA 

分 类 号：D996.1[政治法律—经济法学]