当代陶瓷艺术的审美取向与艺术批评——关于钟莲生教授《给中国陶瓷界的一封公开信》的解读  

Aesthetic Orientation and Art Criticism of Contemporary Ceramic Art:Interpretation of Prof.Zhong Liansheng's"An Open Letter to the Chinese Ceramic Community"

作　　者：齐彪 

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2025年第2期17-23,共7页China Ceramic Industry

基　　金：国家社科基金艺术学重大项目(24ZD15)阶段性成果。

摘　　要：距离钟莲生教授写《给中国陶瓷界的一封公开信》已过去五六年之久,但其所引发的争论与思考并未因为时间的流逝而停息。而且,其思想观点的阐述在激动的情绪和不当的言辞遮蔽之下更加显得不甚明晰,加之被一些无知无畏之辈的曲解与跟风,在社会上造成了一些误解与影响。使得原本正常的学术争论,演化成为一场个人的纷争,实非双方之本意。本文尝试从客观的角度,对此“公开信”进行多方位解读,旨在还原其基本所指与精神内涵,以正当今陶瓷艺术批评之浩气、学术争论之清明。From Prof.Zhong Liansheng wrote"an open letter to the Chinese ceramic community"has been the past five or six years,but the controversy and thinking it triggered did not stop with the passage of time.Moreover,its ideas and views of the exposition of the emotional and improper rhetoric under the cover of the more appears not very clear,coupled with some ignorant and fearless generation of misinterpretation and follow the trend,in the community has caused some misunderstanding and impact.The original normal academic debate,evolved into a personal dispute,is not the intention of both sides.In this paper,we try to interpret this"open letter"from an objective point of view,aiming to restore its basic meaning and spiritual connotation,so as to uphold the integrity of contemporary ceramic art criticism and bring clarity to academic debates.

关 键 词：当代 陶瓷艺术 钟莲生 给中国陶瓷界的一封公开信 

分 类 号：J527[艺术—艺术设计]