“商山四皓”图像在陶瓷载体上的文化功能  

The Cultural Functions of the"Four Sages of Shangshan"Imagery on Ceramic Mediums

作　　者：吕子青 

机构地区：[1]上海工程技术大学通识教育中心

出　　处：《中国陶瓷工业》2025年第2期39-43,共5页China Ceramic Industry

摘　　要：“商山四皓”在《史记》记载后经过历代演绎成为母题,并在历代的绘画上得以呈现。明清时期“商山四皓”图像在陶瓷载体上得到广泛传播,陶瓷绘画以版画为粉本,结合青花、红绿彩等,将四皓形象定格于笔筒、瓷碗等文房及日用器物之上。本文将从“商山四皓”母题溯源、陶瓷上“商山四皓”图像的文化功能两个方面探索该母题在陶瓷载体上所具有的文化功能。Following their documentation in"Records of the Grand Historian",the"Four Sages of Shangshan"evolved into a recurring motif through reinterpretations and adaptations across dynasties,frequently appearing in traditional paintings.During the Ming and Qing dynasties,this imagery gained widespread dissemination on ceramics.Ceramic paintings,drawing inspiration from woodblock print templates and utilizing techniques such as blue-and-white and red-green polychrome,immortalized the figures of the Four Sages on scholar’s utensils like brush pots and daily-use vessels like porcelain bowls.This paper explores the cultural functions of this motif on ceramic mediums by tracing its origins and analyzing its symbolic and practical roles in Ming and Qing ceramic art.

关 键 词：“商山四皓”图像 明代陶瓷 文化功能 

分 类 号：J527[艺术—艺术设计]