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作 者:蔡狄颖
机构地区:[1]景德镇陶瓷大学
出 处:《中国陶瓷工业》2025年第2期44-47,共4页China Ceramic Industry
摘 要:传统工艺常因其与特定历史时期的技术条件和文化风尚的紧密联结,而被学界在一定程度上忽略了其蕴含的现代性价值与潜力。本文基于布迪厄的文化资本理论框架,深入剖析了元代卵白釉瓷器这一地域手工艺品的独特文化资本构成,具体包括其作为物质形态存在的客观化资本、工匠技艺与知识传承的具身化资本,以及社会认可与制度保障的制度化资本。通过这一多维度分析,旨在揭示枢府瓷不仅承载着普遍被认知的丰富历史文化信息,更在促进文化多样性、启发当代文化创新方面展现出不可小觑的推动作用。此研究不仅为理解传统手工艺在当代社会的转型与价值重构提供了新视角,也强调了地域手工艺在全球文化景观中维护文化多元性和促进文化可持续发展的重要作用。The value and potential of modernity in traditional crafts have been neglected to a certain extent by academics due to their close association with the technological conditions and cultural styles of specific historical periods.Based on Bourdieu's theoretical framework of cultural capital,this paper analyzes in depth the unique cultural capital composition of the Yuan dynasty oval-glazed porcelain,a regional handicraft,including its objective capital as a material form,the embodied capital of craftsmen's skills and knowledge inheritance,as well as the institutionalized capital of social acceptance and institutional protection.Through this multidimensional analysis,we aim to reveal that the Shufu porcelain not only carries a wealth of historical and cultural information that is generally recognized,but also plays an important role in promoting cultural diversity and inspiring contemporary cultural innovation.This study not only provides new perspectives for understanding the transformation and value reconstruction of traditional handicrafts in contemporary society,but also emphasizes the important role of regional handicrafts in preserving cultural plurality and promoting sustainable cultural development in the global cultural landscape.
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