刍议景德镇艺术区模式下的陶艺创作生态  

A Rustic Opinion on the Ecology of Ceramic Creation under the Model of Jingdezhen Art Districts

作　　者：彭楠恩 

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2025年第2期48-51,共4页China Ceramic Industry

摘　　要：近年来,景德镇形成了诸多深度融合传统制瓷生态的艺术区,基本可分为生产地演化、自然村演化及政府机构设立三大类型。随着艺术区的产业发展日益丰富,内部结构也愈发复杂,其形成机制与创作生态现状,对于把握艺术区模式带来的优势以促进现代陶艺发展,具有深远意义。艺术区中现代陶艺与本地传统制瓷生态的融合现象,主要表现为创作群体的协同与创作品别的多元化,这充分体现了景德镇艺术区模式的独特性和其对现代陶艺发展的助推与影响,同时为传统手工艺城市的现代化转型提供了理论参考。In recent years,Jingdezhen has formed numerous art districts deeply integrated with the traditional porcelain-making ecosystem,which can be broadly categorized into three main types:evolution of production sites,transformation of natural villages,and establishment by government institutions.As the industrial development of these art districts becomes increasingly diverse,their internal structures have grown more complex.The formation mechanisms and current state of creative ecosystems within these districts hold profound significance for understanding the advantages of the art district model in promoting the development of modern ceramic art.The integration of modern ceramic art and the local traditional porcelain-making ecosystem in these districts is primarily manifested through collaboration among creative groups and diversification of creative categories.This fully demonstrates the uniqueness of Jingdezhen's art district model and its role in propelling modern ceramic art development,while also providing theoretical references for the modernization transformation of traditional handicraft cities.

关 键 词：景德镇 艺术区 现代陶艺 创作生态 

分 类 号：J527[艺术—艺术设计]