检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:孟繁朴
机构地区:[1]景德镇陶瓷大学
出 处:《中国陶瓷工业》2025年第2期63-67,共5页China Ceramic Industry
摘 要:陶瓷雕塑作为陶瓷媒介在空间中的表现形式,其肇始便与叙事文本关系密切。相较于其他艺术形式,陶瓷雕塑有着良好的美观性和文化内涵,与人们的日常生活关系密切。民国时期作为从封建社会到现代社会重要的过渡时期,人们在日常生活、流行时尚、社会风气、思想文化上均与明清时期有鲜明的变化,并在陶瓷雕塑中有着具体的呈现。本文通过阐释民国时期陶瓷雕塑的叙事来源、叙事特征,探索此时陶瓷雕塑叙事文本的发展与深层内涵。Ceramic sculpture,as a form of expression using ceramic media in space,the beginning of its close relationship with the narrative text.Compared to other art forms,ceramic sculpture possesses both aesthetic appeal and cultural connotation,making it intimately connected to people's daily lives.The Republican period,marking a significant transition from feudal society to modern society,saw distinct changes in daily life,fashion trends,social norms,and ideological culture compared to the Ming and Qing dynasties,which are specifically reflected in ceramic sculpture.This paper explores the development and deeper connotation of the narrative text of ceramic sculpture at this time by explaining the narrative source and narrative characteristics of ceramic sculpture in the Republican period.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.248