从“意境说”看浅绛彩所蕴含的美学思想  

Viewing the Aesthetic Ideas Implied in Light Crimson Colored Porcelain from the Perspective of"Artistic Conception Theory"

作　　者：杨乐文 

机构地区：[1]南昌职业大学

出　　处：《中国陶瓷工业》2025年第2期84-88,共5页China Ceramic Industry

摘　　要：“意境”是中国古典美学的一个重要范畴,在中国古典美学体系中占有重要的地位。清末民初出现的浅绛彩瓷画集“诗、书、画”为一体,以其独特的文人画气质进入人们的视野,为陶瓷绘画艺术的发展带来了新的方向。浅绛彩瓷画借鉴了中国浅绛山水的绘画技法和写意画风,这种绘瓷方式使得陶瓷装饰突破了传统形式,为近代陶瓷绘画艺术赋予了新的内涵。本文旨在从“意境说”的角度解读浅绛彩瓷画,探讨其中蕴含的意境美学。"Artistic conception"is an important category in Chinese classical aesthetics and holds a significant position in the system of Chinese classical aesthetics.The light crimson colored porcelain painting collection that emerged in the late Qing Dynasty and early Republic of China,integrating poetry,calligraphy,and painting,entered people's vision with its unique literati painting temperament,bringing new directions for the development of ceramic painting art.The light crimson colored porcelain painting draws on the painting techniques and freehand style of Chinese light crimson landscape painting.This porcelain painting method breaks through tradition in ceramic decoration and gives new connotations to modern ceramic painting art.This article aims to interpret light crimson colored porcelain painting from the perspective of"artistic conception theory"and explore the aesthetic conception contained therein.

关 键 词：浅绛彩 意境 山水画 古典美学 

分 类 号：J527[艺术—艺术设计]