“壮美”与“优美”:当代陶瓷雕塑的审美矛盾与融合  

"Magnificent"and"Graceful":Aesthetic Contradiction and Integration in Contemporary Ceramic Sculpture

作　　者：程诗婧 李伟 

机构地区：[1]景德镇学院 [2]内江师范学院

出　　处：《中国陶瓷工业》2025年第2期94-97,共4页China Ceramic Industry

摘　　要：本研究以“壮美”与“优美”为理论框架,探讨其在当代陶瓷雕塑中的辩证统一关系。通过理论分析与案例研究,梳理两种审美范畴的历史演变及其在传统文化中的表现,重点考察其在当代创作中的转化与创新。研究表明,审美矛盾为艺术语言革新提供了契机,艺术家通过调和“壮美”的雄浑与“优美”的雅致,实现了传统与现代的有机融合。揭示了审美融合在形式、材料和文化三个维度的创新实践,为陶瓷雕塑创作提供了新的理论视角和实践路径。This study employs the theoretical framework of"Magnificent"and"Graceful"to explore their dialectical unity in contemporary ceramic sculpture.Through theoretical analysis and case studies,it examines the historical evolution of these two aesthetic categories and their manifestations in traditional culture,with a focus on their transformation and innovation in contemporary creation.The research reveals that aesthetic contradictions provide opportunities for the renewal of artistic language,as artists achieve an organic integration of tradition and modernity by harmonizing the grandeur of"Magnificent"with the refinement of"Graceful"The study uncovers innovative practices of aesthetic integration across three dimensions:form,material,and culture,offering new theoretical perspectives and practical pathways for ceramic sculpture creation.

关 键 词：古典美学 壮美和优美 陶瓷雕塑 矛盾与融合 

分 类 号：J314.8[艺术—美术]