现代艺术状态中的中国当代陶艺  

CHINA CONTEMPORARY CERAMIC ART ID THE POSITION OF MODERN ART

作　　者：姜波[1] 

机构地区：[1]郑州轻工业学院,郑州450007

出　　处：《中国陶瓷》2002年第5期53-55,共3页China Ceramics

摘　　要：作为现代主义思想和新文化背景下的中国当代实验陶艺 ,从经验和现实中观察 ,它特具的一贯性“革命”状态 ,有包容文化的各种可能。尽管在时下多元文化状态下 ,在冲突和选择中它流露的现象可以是浮躁的或是消耗的 ,但它直呈当下文化状态的性质更加特征化了。使它找到参与时代艺术的滋生点 ,给自身的现代方式带来了更大的机遇 ,使我们能够有机会重新审视自己的艺术理想 ,使它去诠释更多的概念。中国当代陶艺的现代主义视觉革命和文化理念 ,有其自身明确的时代特征和行为模式。就现存观念而言 ,现代主义视觉革命在中国主流文化的状态中似乎正跨越和完结着它的尽头 ,然而在原创中带有较强“劣根意识”的中国当代陶艺恰恰正由其边缘状态夹缝位置逐步进入现代艺术的中心和主流意识。不管它的发生和发展趋势如何 ,而同处于现代文化中的当代中国实验陶艺与其他当代艺术一样 ,终究处在被“选择”的状态中 ,这是避免不了的必然。而面临的作用不管是心态的还是行动的 ,都将会证实这一文化权力话语的现实性。As china contemporary experiment ceramic Art in the background of modernism think and new culture.We look it from experience and reality.It has the follow characteristic:the one is 'revolution'position and the others is possibilities of tolerant culture.Although it can be impetuous and consume in the diversified and contradiction culture,It becomes more\!features\'.Then it is pushed to merge contemporary art building.So it can be brought more changes and reasons to observe itself art ideal to explain more concepts.\;China contemporary ceramic art has clear and definite times features and behavior model.As for concept,the vestured modern visual revolution,seems,to end in china main trend culture.Now,but to emphasize nationalities,To stress history are gradually entering china modern art and main trend thinking.Whatever the results.It is inevitable outcome and trend to fuse the construction of china contemporary art.Anyway,It plays the role will confirm its realistic attitude.

关 键 词：临界状态 现代性语境 中国当代陶艺 

分 类 号：J314.8[艺术—美术]