论《浮士德》中"善"与"恶"及"美"与"丑"的辩证关系  

On the Dialectical Relationship between the "Good" and the "Evil", and the "Beauty" and the "Disgracefulness" in Faust

作　　者：王黎红[1] 孔宪菊 

机构地区：[1]东北大学外国语学院,辽宁沈阳110004 [2]山东省邹城市第八中学,山东邹城273500

出　　处：《东北大学学报（社会科学版）》2003年第2期142-144,共3页Journal of Northeastern University(Social Science)

摘　　要：分析了歌德在《浮士德》中构建的天帝与靡非斯陀、浮士德与靡非斯陀和浮士德自身的"善"与"恶"的冲突及其辩证关系。认为歌德笔下的"善"与"恶"的冲突无所不在,既相互斗争,又相互依存,既相互对立,又相互渗透。它揭示了矛盾运动的普遍性及人类社会发展中前进与停滞的矛盾斗争,反映了人性深处的拼搏和内在矛盾。他所刻画的"丑"中有"美","丑"转为"美",使"恶"与"丑"也具有了重要的审美价值。这些体现了歌德成熟的辩证思想和美学思想。?The thesis analyzes the conflicts between the 'good' and the 'evil' and their dialectical relationship between the Lord and Mephistopheles, Faust and Mephistopheles, and in Fausthimself constructed in Faust by Goethe. It's believed that the conflict between the 'good' and the 'evil' under Goethe's pen was ubiquitous. They were struggling each other and interdependent, opposing each other and mutual infiltration. The thesis reveals the universality of the paradoxical movement, and the contradictory struggling between progress and stagnancy during the developing process of the human society. It also reflects the combat and the internal antinomy in the deep of human nature. The 'disgracefulness' portrayed by him contained 'beauty', and the 'disgracefulness' was transformed to 'beauty', which also enabled the 'evil' and the 'disgracefulness' to have an aesthetic value. These embody Goethe's mature ideology on dialectics and aesthetics.

关 键 词：歌德 浮士德 辩证思想 

分 类 号：I106.3[文学—世界文学]