中国古代诗话对诗歌“神”之审视  

The Scanning of China Ancient Poetics on Poetry's Inner Spirit

作　　者：张一平[1] 

机构地区：[1]温州师范学院中文系,浙江温州325027

出　　处：《温州师范学院学报》2003年第1期1-6,共6页Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)

摘　　要：“诗神”是古代诗学理论所追寻的最高层次的创作艺术规律。中国古代诗话对诗神的审视,充分体现出中华民族特有的创作心理与倾向,是一种成熟而完美的诗歌理论心态。司空图身后的诗话作者,对诗神内涵构建的最终完工,做出了大量的贡献。从此,以诗歌本质的内在精神为标准、借以挣脱传统形式美之束缚、品评古代诗歌创作之得失,渐成风气。同时,也对诗人在创作中追求诗神与外在的诗之形体相辅相成之境界,提出了更高的要求。The scanning of China ancient poetics on poetry's inner spirit has reflected the psychology and inclination ofparticular creation style of the Chinese nation, and has been a ripe and perfect mentality of poetry theory. The poetics authorsafter Sikong Tu(司空图) have made great contribution to the final formation of poetry's inner spirit. After that time, a newtendency has been taking place , which regarded the most essential inner spirit of poetry as a criterion and cast off the tie oftraditional form as well as discussed the success and failure of creation style of ancient poetry. Meanwhile, higher demand hasbeen put forward for poets to pursue the combination of inner spirit and external spirit of poetry.

关 键 词：诗话 审视 诗神 

分 类 号：I207.22[文学—中国文学]