精彩纷呈的密接和应——肖斯塔柯维奇《24首序曲与赋格》研究札记  

Research Notes Of Shostakovich 24 Prelude And Fugue

作　　者：赵德义[1] 

机构地区：[1]武汉音乐学院作曲与音乐音响导演系,武汉430060

出　　处：《黄钟（武汉音乐学院学报）》2003年第1期5-14,共10页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：肖斯塔柯维奇的钢琴套曲《2 4首序曲与赋格》(Op87)被誉为 2 0世纪的《平均律曲集》。为了创造一种具有时代的、民族的、个人特点的复调音乐新风格 ,作者在这部作品的内容、调思维方式、和声语言、曲式结构等方面进行了积极的探索 ,其中以密接和应写成的赋格再现部尤为突出。补充型、趣味型和展开型的不同写法精彩纷呈 ,密接和应获得空前的活力 ,被赋予更为重要的曲式意义。The Shostakovich 24 Prelude and Fugue as 20th The Well Tempered Claver. For creation of the new style of the counterpoint music with the features of the era, nationality, and individual, the composer explored the context, conception of the tonality, harmony language in this work, especially on the close imitation in fugue recapitulation. The close imitations with various patterns of complementarities, interest, and outspread were colorful, and they obtained the great activities, function on the important form meaning.

关 键 词：肖斯塔柯维奇 赋格 密接和应 再现部 

分 类 号：J614[艺术—音乐]