手风琴复调作品演奏中的风箱处理  

How To Use The Bellows While Accordion Playing The Counterpoint Music

作　　者：鲁晓玲[1] 

机构地区：[1]武汉音乐学院钢琴系,武汉430060

出　　处：《黄钟（武汉音乐学院学报）》2003年第1期105-108,共4页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：手风琴风箱的运用问题是手风琴演奏中的重要课题 ,而复调作品中的风箱处理更是手风琴演奏中的难点。文章以巴赫《4 8首前奏曲与赋格》中的第二册第二首《c小调赋格曲》为例 ,探讨了手风琴复调作品演奏中划分风箱的几种方法以及风箱运用中应注意的问题。That how to use the bellows is an important issue in accordion performance, and that is especially a difficult point while playing the counterpoint music. The article took the Fugue in c minor from Bach's Prelude And Fugue, No.2 in Book II as an example, discussed several ways to use the accordion bellows while playing the counterpoint music.

关 键 词：双系统自由低音手风琴 巴扬 风箱处理 复调音乐 赋格 

分 类 号：J624.3[艺术—音乐]