斯蒂芬·克莱恩再造和创造想象的社会心理意义  

A Social Psychological Study of Stephen Crane's Reforging and Recreating Imagination

作　　者：方成[1] 

机构地区：[1]南京大学外国语学院,江苏南京210093

出　　处：《外语研究》2003年第2期51-59,共9页Foreign Languages Research

基　　金：20 0 1年国家哲学社会科学基金项目论文 (4 ) ;批准号 :0 1CWW 0 0 1

摘　　要：“体验”与“想象”是文学创作的两个基本美学命题 ,在不同的时代表现为不同社会认知方式和不同的意识形态。克莱恩把真实生活的体验想象性地投射到美国南北战争时期主体的心理描写中去 ,使战争获得一种作者时代社会机制的隐喻 ;同时 ,我们在克莱恩的战争叙述中找到 19世纪末美国社会的“叙述始源” ;当时美国工业化过程也就获得一种“战争”价值。作者这种社会认知的意义就在于它隐藏着创作主体对社会评判标准的巨大转变 :美国社会从和谐与理想到斗争与暴力的转变。正如作者自己所说的 ,“战争本来就是人类的一种遗传本能” ,那么这种遗传本能也渗透于克莱恩小说所表征的当时美国社会。Experience and imagination are two fundamental aesthetic conceptions in literary composition, representing different types of social cognition and ideology in different social contexts. That Stephen Crane imaginatively projects his contemporary life upon psychological descriptions of the subjects during the American Civil War indicates that the authors contemporary social system achieves an atmosphere of war. Similarly, the narrative origin of the turn of 19-20th century American society is revealed in Cranes war narratives; the then American industrialization process obtains a 'war' value. The significance of the authors social cognition is that great changes has taken place in the subjects social evaluation: the social transformation from harmony and idealism to war and violence. Just as what Crane himself says that 'war is itself an instinct of human beings', so this inherited instinct surely permeates Cranes contemporary society.

关 键 词：克莱恩 再造想象 创造想象 主体性 社会认知 社会态度 

分 类 号：I106.4[文学—世界文学]