马路的繁闹——论徐訏30、40年代小说的通俗性  

The Busy and Noisy Street——On the Popularity of Xu Xu's Novels during 1930s-1940s

作　　者：马娟娟[1] 

机构地区：[1]华侨大学中文系,福建泉州362011

出　　处：《华侨大学学报（哲学社会科学版）》2003年第2期100-105,共6页Journal of Huaqiao University(Philosophy & Social Sciences)

摘　　要：徐讦是一个集现代、传奇、通俗文学于一身的小说家,他的作品既与形而上的哲理结合,又与形而下的大众趣味合成一体。与大众趣味的结合必然造成其小说具有通俗性特征。徐讦在他的创作理论中就自觉契合了通俗小说要求,强调小说应具有娱乐消遣功能;在小说创作模式中重复使用了第一人称“内焦点叙事”视角和“多角”言情模式;在情节上运用富于传奇色彩的异域风情、奇特恋情及奇异人物等,在制造陌生化效果的同时,又满足了读者的好奇心理。Xu Xu is a novelist who well blended modem, legendary and popular literature together. His worics not only were integrated with formless philosophy but also were merged with the formal popular taste. The combination with popular taste would certainly make his novels to have the characteristic of popularity. In his theory of creation, Xu Xu conscientiously agreed with the claim of popular novel. He put stress on that the novel should have the function of recreation and relaxation, He repeatedly used the expression modes of fust person 'inner focus narration' perspective and multiple roles. While the use of such legendary characteristics as amorous feelings in foreign lands, unusual love and strange figure will not only bring about inexperienced effect but also meet the curiosity of the readers.

关 键 词：徐YU 通俗 娱乐 模式 传奇 

分 类 号：I206.6[文学—中国文学]