悲剧人生 苍凉最美——从《半生缘》品读张爱玲小说的悲剧意味  

Tragic life, yet Bleak is the Most Beautiful -Study on the Tragic Narration Style of Zhang Ailing's Novels Through the Fate Brings Lovers Together for One Half Life

作　　者：袁瑾[1] 

机构地区：[1]武汉大学人文学院,武汉430072

出　　处：《天津大学学报（社会科学版）》2003年第3期285-288,共4页Journal of Tianjin University：Social Sciences

摘　　要：张爱玲的小说以悲剧故事见长,而"苍凉"是其悲剧叙事风格的内核。文章以具体分析她的长篇小说《半生缘》为基础,借鉴小说叙事学及有关悲剧美学思想,发掘作者独特的叙事技巧,从而展示张爱玲精到巧妙地处理内容与形式之间关系的才能,达到她对"苍凉"意味的永恒追求。Most of Zhang Ailing's novels are of tragic stories, but the 'bleakness' is the essence of its tragic narration style. The previous review on Zhang's novels exposed her works' 'bleak' theme from the layer of their thoughts' intention . This article relies on structure and form and makes use of tragic aesthetic appreciation method from the text named the fate brings lovers together for one half life to seek the author's unique narrative skill and to show how Zhang precisely and aptly maneuvered the relation between content and form so as to reach her writing purpose of 'bleak' intention.

关 键 词：张爱玲 悲剧 叙事 苍凉 

分 类 号：I206.6[文学—中国文学]