论陶渊明对中岩圆月作品的影响  

On the Acceptance of Tao Yuanming by Chūgan Engetsu

作　　者：吴春燕[1] Wu Chunyan(Guangdong University of Technology,China)

机构地区：[1]广东工业大学外国语学院

出　　处：《日语学习与研究》2019年第1期93-99,共7页Journal of Japanese Language Study and Research

基　　金：2017年度广东省哲学社会科学"十三五"规划项目"日本五山汉文学的老庄接受研究"(项目编号:GD17WXZ32)阶段性研究成果;项目主持人:吴春燕

摘　　要：中岩圆月为日本五山文学早期的重要代表,被称为"五山第一学僧"。他一生追慕陶渊明,作品中有数十篇汉诗文与其相关。中岩汉诗虽不如陶诗高远醇厚,也未触及陶诗的所有主题,但通过中岩汉诗的考证发现,中岩圆月对陶渊明影响的接受有以下特点:一、对陶诗从外在形式、取材、意境乃至艺术风格的多元继承;二、对"篱""菊"意象引用、化用、翻用的多样呈现;三、对陶渊明人生理想、价值取舍的高度认同。显示出中岩圆月对陶渊明其人其诗的深刻理解与接受。Chūgan Engetsu, an important representative of the early days of Japan’s Five Mountains Literature, was known as 'the first monk of the Five Mountains' because of his profound knowledge. He spent his life pursuing Tao Yuanming and dozens of his Chinese poems are related to him. Although Chūgan’s Han poetry was neither as aesthetic as Tao’s poetry nor had covered all the same themes as Tao’s, his acceptance of Tao Yuanming showed distinct characteristics:(1) pluralistic inheritance of Tao’s poetry from material, artistic conception and style;(2) various presentations of 'fence' and 'chrysanthemum';(3) the high recognition for Tao Yuanming’s choice of ideal life and values, which showed the author’s deep understanding and acceptance of Tao Yuanming and Tao Yuanming’s poems.

关 键 词：中岩圆月 陶渊明 五山文学 达道者 

分 类 号：I313.06[文学—其他各国文学] I207.22