红色文艺思想历史回眸:《讲话》研究60年  

Sixty Years of Study on Mao′s "Speech at the Forum of Art and Literature in Yanan":A Historical Review of Red Literary and Artistic Theories

作　　者：贺立华[1] 程春梅[1] 

机构地区：[1]山东大学文史哲编辑部中华女子学院山东分院

出　　处：《山东大学学报（哲学社会科学版）》2003年第6期38-43,共6页Journal of Shandong University(Philosophy and Social Sciences)

基　　金：国家教育部基金(基金编号:01JA750.11-44066)

摘　　要：作为毛泽东文艺思想集中体现的<在延安文艺座谈会上的讲话>(以下简称<讲话>)发表至今已60多年了.<讲话>是延安时期战时文艺的精神指导,也是新中国文艺方针政策制定的根本依据.对<讲话>的科学研究经历了许多曲折.延安时期的研究,多从战时需要出发,而较少考虑文艺的特性;新中国成立后基本延续了战时的指导思想,而较多强调文艺的'服务'、'工具'功能;文革时期<讲话>精神被'极左'政治势力歪曲,致使文艺走入畸形;'文革'结束后的1979年,邓小平同志对<讲话>精神作了新的阐释,标志着对<讲话>的研究真正步入科学.一大批具有真知灼见的研究成果的出现,真正体现了毛泽东文艺'双百'方针的本意,同时也是对<讲话>文艺思想的丰富与发展.Speech at the Forum of Art and Literature in Yanan' has been published for more than 60 years now. As a concentrated embodiment of Mao Zedong′s thought on literature and art, the Speech served as the spiritual guidelines during the Yanan wartime period as well as the footing in stipulating New China′s guiding principles for art and literature. The study on the Speech has witnessed many a disorientations. Studies during the Yanan period were mainly in service of the needs of war, with little consideration given to the literary and artistic traits; After the founding of New China, the wartime guiding principle was retained and the focus was still upon the functions of 'service' and 'tool'. During the Cultural Revolution, the spirit of the Speech was twisted by the ultraleftist political forces, thus bringing art and literature into a distorted form. With the conclusion of the Cultural Revolution, Comrade Deng Xiaoping reinterpreted the speech in 1979, which marked the real scientific turn of the study on the speech. Since then numerous authentic studies have been published, which not only represent true sense of Mao′s 'double hundred' guiding principle but enrich and broaden the ideas of the Speech.

关 键 词：毛泽东 《在延安文艺座谈会上的讲话》 工农兵 艺术家 

分 类 号：I200[文学—中国文学]