20世纪家族小说叙述方式的转换——以《狂人日记》《激流》《财主底儿女们》《白鹿原》为个案  

Transformation of Narration Mode in 20th Century's Family Novels ——According to 《bedlamite diary》《riptide》《rich man's children》《bai-lu plain》

作　　者：吴晖湘[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《湖南大学学报（社会科学版）》2003年第6期91-94,共4页Journal of Hunan University(Social Sciences)

摘　　要：20世纪家族小说的叙述方式经历了一个从全知叙述到限制叙述的转换,相应地,叙述者完成了从整合到分裂的转变,统一的权威的叙述姿态被打破并逐渐走向复合多元。家族小说叙述方式的转换,既表现了作家的创作个性和个体选择,又反映了特定的文化语境对家族小说创作的深刻影响。从叙述方式的角度考察家族小说,将进一步从形式入手深化对家族小说的研究和阐释。The narration mode of 20th century′ family novels has changed from omniscience to restriction. Accordingly, the relater has accomplished the transformation from conformity to abruption. The united authoritative narration gesture has been broken, and becomes complex and compound. The transformation of narration mode of family novels not only represents the authors' individuality and choice, but also reflects the profound influence of specific cultural surroundings. Reviewing family novels from the angle of narration mode will deepen the family novels' study from the meaning of form.

关 键 词：家族小说 叙述方式 叙述者 文化语境 

分 类 号：I206[文学—中国文学]