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作 者:赵思运[1]
出 处:《淮南师范学院学报》2003年第6期75-79,共5页Journal of Huainan Normal University
摘 要:女性诗歌以躯体写作作为话语建构的支点和逻辑起点。躯体作为她们最后的领地,既是对抗大工业社会和陈腐理念双重挤压的手段,又是抵抗男权秩序、成为充分意义上的女人的基点。女性诗歌文本中的躯体意象主要有四种:欲望主体型、欲望客体型、主客体交融型和自恋神话型。通过对女性诗歌文本中躯体意象的考察,发现她们的私设话语既体现了女性的自我觉醒,同时又规避了人文精神的丰富性。The construction of female poetic discourse take body writing as its pivot point and logical starting point. As the last territory, body is not only the means of confronting double extrusions from modernized industrial society and outworn ideas, but also the basis of resisting male order and becoming a 'real' woman. There are mainly four types of body images in female texts: desire subject type, desire object type, subject - object combination type and narcissism myth type. Through the study of the body images of female poems, we find that female private discourse reveals the self - awareness of the female and to a certain extent it avoids the abundance of humanistic spirit.
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