精纯与灿烂的结晶——贝利尼音乐语言中的《诺尔玛》  

The Crystal of Perusal and Effulgence:The "Norma" in the Bellini's Music Languages

作　　者：李华[1] 

机构地区：[1]青海师范大学音乐系,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2003年第3期81-83,共3页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：本文简要介绍了贝利尼的生平和创作倾向,着重对歌剧《诺尔玛》进行了分析和研究,试图从声乐体裁结构、音乐结构、旋律线条、配器、声乐演唱技巧等方面,概括出贝利尼对悲剧性人物诺尔玛进行刻画的具体表现手法和特征。This paper gave a briefly introduction to the Bellini Vicenezo's life and his creative inclination and focused on the research and analysis about the opera Norma,it tried to summarize his expressional skills and characteristic for describing the thespian character-Norma in terms of vocal style structure,musical structure,counterpoint,accompaniment,vocal skills.

关 键 词：贝利尼 《诺尔玛》 音乐语言 结构 咏叹调 歌剧 

分 类 号：J605[艺术—音乐]