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作 者:唐伟胜[1]
出 处:《外国语》2003年第5期60-66,共7页Journal of Foreign Languages
摘 要:经典叙事学(Classical Narratology)将自己的研究对象囿于叙事的故事(story)层面或话语(discourse)层面,力图为叙事找到普遍的结构法则,从而将叙事学确立为一门“科学”。但从20世纪90年代开始,受各种语言哲学和文学理论的影响,叙事学的研究范式发生了重大转移:不仅全面转向叙事语境和阐释语境,更将叙事学与其他相关新兴学科结合起来加以考察,使之进入了一个崭新的多元时代,从而大大拓展了叙事学的生存空间。而国内目前仍主要采用经典叙事研究范式,这使对国外最新理论的引进、消化和评价工作显得尤为重要和迫切。With its focus upon either story or discourse level of the narratives, Classical Narratology vowed to find, in a scientific way, the general structural rules for all the narratives. Starting from the early 1990s, however, under the influences of the newly rising linguistic and literary theories, the paradigms of Narratological study have undergone some major changes: not only taking into its scope the context in both the utterance and the interpretation of the narratives, but also embracing the disciplines in other fields, thus bringing it into an entirely new stage of pluralism and significantly broadening its horizon. As Classical Narratology is still the dominant paradigm employed in domestic narratological study, it is of great importance to introduce, assimilate and evaluate the latest paradigms and approaches from outside China.
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