从雕塑性到音乐性:凡·高的色彩观  

From the descriptive to the expressive: Van Gogh’s coloring concept

作　　者：杨天民[1] 

机构地区：[1]安徽师范大学美术学院,安徽芜湖241000

出　　处：《安徽师范大学学报（社会科学版）》2004年第1期117-121,共5页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：安徽省教育厅人文社科基金项目 ( 2 0 0 2JW 0 62ZC)

摘　　要：凡·高综合了塞尚的艺术尝试 ,修正了印象派对色光单纯的描绘以及对日本绘画的借鉴 ,他的从雕塑性到音乐性的色彩观 ,似乎注定了现代绘画要消解传统绘画的“雕塑性”造型的极致 ,而给予绘画“音乐性”色彩更多的关注。他为“表现主义”绘画作了最好的诠释 。Van Gogh synthesized Cezanne’s artistic exploration, revised the description of the colors by the impressionists and borrowings from Japan. His coloring concept showed that modern painting seemed to dispel the traditional descriptive images and pay more attention to its expressiveness. He best interpreted the expressionist painting and will still encourage the painting at present.

关 键 词：凡·高 色彩 色彩观 雕塑性 音乐性 

分 类 号：J206[艺术—美术]