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作 者:唐伟 TANG Wei(Chinese Writers Association,BeiJing 100013)
出 处:《中国文学研究》2019年第1期158-164,共7页Research of Chinese Literature
摘 要:从当代文学批评谱系的角度说,文坛地方军的涌现,最初源于"湘军"的崛起及其命名。从"湘军"到文学"湘军",七、八十年代之交的湖南作家群因接连斩获全国文学大奖而获别称闻名,而此后"陕军"东征、文学"豫军"等文坛造"军"运动的兴起,一方面是受文学"湘军"命名的启示,另一方面也是各地方作协极力凸显政绩的结果。在文坛地方军自我本质化、历史化的进程中,地域文化提供了重要注脚,地域文化与地方文学的相互阐释,汇集成中国当代批评的"文化研究"潮,并与西来的"文化研究"合流,由此构成了九十年代中国文化研究的多维复杂面貌。From the point of view of the pedigree of contemporary literary criticism,the emergence of local armies in the literary world originated from the rise of the'Xiang Army'and its naming. From the 'Xiang Army'to the'Xiang Army'literature,Hunan writers groups at the turn of the 1970 s and 1980 s became famous for winning the National Literature Awards one after another,but afterwards the'Shaanxi military'expedition to the east,the literary of'Henan military'and some other army movement in the literature world had been rising,which were inspired,on the one hand,by the name 'Xiang Army',on the other hand,by the result of the performance by all the local writers in trying to highlight achievements. In the process of local army’s self-essentialization and historicization in the literary world,regional culture provides an important footnote,and mutual interpretation of regional culture and local literature brought together into the 'Cultural Studies'tide of contemporary Chinese criticism,and combined with 'Cultural Studies'from the west,which constituted the multidimensional and complex features of Chinese cultural studies in the 1990’s.
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