汉语和韩语近体诗的呼吸节奏特征对比研究  

A Comparative Study on Breathing Rhythm Properties ofPoetry in Chinese and Korean

作　　者：吴韩娜 孔江平[1] OH Hanna;KONG Jiangping

机构地区：[1]北京大学中文系

出　　处：《中国语音学报》2016年第1期71-78,共8页Chinese Journal of Phonetics

基　　金：中国哲学社会科学重大投标项目(编号:10&ZD125);国家自然科学基金面上项目(编号:61073085)的经费支持

摘　　要：本文从生理语音学的角度着手,以汉语诗和与它内容一致的韩语诗为研究对象,分别采集并分析了语音信号和呼吸信号,从而探讨两种不同语言的近体诗呼吸节奏的特点。研究发现:(1)汉语近体诗格律的严格性制约不同韵律结构语言的节奏特征。虽然呼吸配合方式不同,但韩语朗读者调整呼吸重置幅度与次数以及朗读速度而体现汉语近体诗格律特征;(2)汉语近体诗朗读中胸、腹呼吸分工明确,胸呼吸与生理信号对应,腹呼吸与韵律单位对应,而韩语诗朗读中,其功能比较模糊;(3)不同语言的呼吸表现和呼吸重置幅度和时长均有关系;(4)汉语近体诗朗读中呼吸重置幅度和时长有显著性相关,而韩语呼吸重置幅度和时长不存在显著性相关。This study is a preliminary study on breathing rhythm properties of poetry in different languages with different prosodic constructions:Chinese and Korean.Duration and amplitude of breathing-reset are detected and the results show that(1)The prosody and breathing rhythm varies with the types of languages but it is very similar in metric poetry with strict metrics(2)In Chinese,the duration and amplitude of breathing-reset are highly correlated.But In Korean,there is no correlation.(3)The duration,amplitude and the way of breathing are all useful cues in different languages and the hierarchies of breathing-resets.(4)The small breathing in the middle of poetry is not related to physiological requirement in poetry.

关 键 词：生理语音学 近体诗格律 呼吸节奏 韵律 韩语 

分 类 号：H116[语言文字—汉语] H55