从战后启蒙到文化批评——大江健三郎早期文学试论  

On Early Writing by Oe Kensaburo

作　　者：王新新[1] 

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2003年第5期87-96,共10页Journal of Northeast Normal University(Philosophy and Social Science Edition)

摘　　要：大江健三郎在其文学创作的最初10年里,从战后启蒙到文化批评,完成了作为一个知识分子的彻悟。大江健三郎进行启蒙的目的,是要建立起自我反思式的文化批评,即试图通过文化批评来解决文化危机。当下,我们真正需要的文学,正是大江健三郎所开创的这种既与时代密切相系相关,又与时代保有一定距离;既不放弃对个我主体性的执著,又时时意识到知识分子的责任的文学。Oe Kensaburo realized his complete awakening in the first decade from post-war enlightenment to literary criticism.The aim of his writing is to establish a new model for self-reflection in culture review to overcome cultural crisis.In this sense,what he advocated is what we need most now:both a product of the time and a prophet of the future.

关 键 词：大江健三郎 战后启蒙 文化批评 知识分子 

分 类 号：I109.5[文学—世界文学]