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作 者:吴晓萍[1]
机构地区:[1]中央音乐学院
出 处:《黄钟(武汉音乐学院学报)》2004年第1期60-64,共5页Huangzhong:Journal of Wuhan Conservatory of Music
摘 要:本文旨在对西安鼓乐宫调问题的研究状况进行梳理,从西安鼓乐“四调”的性质、音阶形态、“以上代勾”问题、“同均三宫”问题、西安鼓乐宫调与其它乐调的关系等五个方面进行综述,并就西安鼓乐宫调研究存在的问题提出自己的看法。认为对乐种的宫调研究要特别注意从与宫调密切相关的乐器、乐谱、乐律等方面进行综合考察.而不是孤立地看待和分析问题。The purpose of the article was to organize the status of research Gong-mode in Xi'an drum music. The writer the issue summarized five aspects, the quality of Four Tunes in Xi'an drum music, pattern of scale, issue of yi shang dai gou (replace gou with shang), issue of tong yun san gong, its relationship with the other music tunes. The writer proposed own idea on the problems exist in the research of Xi'an drum music, and suggested that to research of gong-mode in different music kinds, should be related to the relative instruments, music notation, and the musical temperament, not just only to look on and analyze the problem isolated.
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