文体的复调与变奏——对米兰·昆德拉“复调小说”的一种解读  

Milan Kundera and the Style of Polyphonic Fiction

作　　者：李凤亮[1] 

机构地区：[1]暨南大学中文系,广东广州510632

出　　处：《西南师范大学学报（人文社会科学版）》2004年第2期144-148,共5页Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)

基　　金：2002年国家社科基金项目"米兰.昆德拉小说诗学研究"(02CWW008)

摘　　要：在米兰·昆德拉的"复调小说"观念体系中,"文体的复调"占据了重要的位置。他在理论上对"文体的复调"的标举以及创作上对不同文体杂糅的实践,既遵循了其自身艺术的内在逻辑,也映现了当代小说写作的一个潮流──跨体写作倾向,从中还可发现昆德拉这位自觉的文体革新者对小说历史渊源及未来走向的认识。昆德拉在"小说文体复调"方面的实践,有助于进一步认识当前文学创作中文体形式的嬗变特征。The polyphony of fiction style plays an important role in the poetics of polyphonic fiction of Czech French novelist Milan Kundera. This paper traces back series of Kundera's views on the stylistic polyphony of fiction, and then points out that Kundera's theories and works on polyphonic fiction reflect his art ideas and one of the tendencies in contemporary fiction, i.e. the trans-style writing. From this, we can find Kundera's concepts about the history and future tide of fiction. As a self-conscious innovator, Milan Kundera leads us to understand the innovatory characters of the current literary forms.

关 键 词：米兰·昆德拉 复调小说 小说文体学 文体 

分 类 号：I565.074[文学—其他各国文学]