阴阳变调中的女性角色——谈唐宋男词人的女性书写  

Male poets' writing on female in the Tang and Song Dynasties

作　　者：潘碧华[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《河南科技大学学报（社会科学版）》2004年第1期78-83,共6页Journal of Henan University of Science & Technology(Social science)

摘　　要：　女性作为写作对象自古有之。词最初作为歌筵酒席上的娱乐,以写歌女的美色为主,后来成了情感抒发的去处。女性主义认为女性入词是藐视女性尊严的举动。但仔细观察,唐宋男词人的女性书写,是对女性特质格外喜爱的表现。应以较积极的心态去看待唐宋时期男性词人对女性角色的描绘,以及他们在女性书写方面的表现。It's been a long time that female is treated as the subject in the writing, especially in lyrics of the Tang and Song Dynasties. Initially, these lyrics are treated as an entertainment which is of no difference from singing and dancing, its contents mainly describe the beauty of the female performer (singer or dancer or both);as time goes by, it migrates to the room for expressing one's feeling and emotion. Feminist found that putting female as the subject in the lyrics of Tang and Song Dynasties by male poets, is a kind of gender-discrimination. To further look into the lyrics of Tang and Song Dynasties, from the explicit description of the beauty of female performer to the inner emotional expression, are mostly reflected the male poets' highly interested in the feminine specialities and uniqueness. Based on the theory of feminism and positive point of view, this article focuses on the feminineness description and writing techniques in the tang/song's lyrics by male poets.

关 键 词：唐宋词 花间词 温庭筠 男性词人 女性角色 女性书写 

分 类 号：I222.84[文学—中国文学]