魏晋南北朝的美学思想和盆景艺术  

The Aesthetic Thought and Bonsai Art in Wei, Jin,Southern and Northern Dynasties

作　　者：王珏[1] 彭春生[1] 梅红[1] 

机构地区：[1]北京林业大学园林学院

出　　处：《北京林业大学学报（社会科学版）》2003年第3期48-53,共6页Journal of Beijing Forestry University ：Social Sciences

摘　　要：魏晋南北朝是中国古代动乱最多、人民生活最悲惨的时代。战争、动乱使汉王朝“独尊儒术”的旧思想体制大崩溃 ,导致魏晋南北朝时期的古代中国思想最解放、最自由。美学思想和精神的自由 ,酿就了艺术创造精神的勃发 ,因而新的艺术形式、艺术规律应运而生并相互融会贯通。此时的盆景艺术正是在绘画、园林、盆栽、赏石等艺术形式的影响下孕育了自己最初的表现形式和美学规律 。Wei, Jin, Southern and Northern dynasties are special eras in Chinese ancient history with most numerous disturbances full of wars and miseries, which brought about the collapse of the old ideological system characterized by “respecting only Confucianism” of Han Dynasty. And they are also eras of great emancipation of ideology and the freest times in ancient China. The freedom in aesthetics and spirit brewed the prosperity of artistic creativity in spirit, thus new artistic forms and rules emerged as the times required and digested with one another. At the time, bonsai art gestated its initial form of representation and aesthetics law based on the influence of other artistic forms of brushwork, gardens, potted plant, stone's appreciation and so on. Therefore, it can be said that the period of time is an important epoch in the development of bonsai.

关 键 词：魏晋南北朝 美学思想 艺术 盆景 

分 类 号：S688.1[农业科学—观赏园艺]