“旧形式”与“新演剧”——论中国左翼戏剧大众化的理论与实践  

“Old Form" and “New Play" Theory and Practice of Popularization of China's Left-wing Drama

作　　者：朱卫兵[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2004年第1期61-66,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：中国左翼戏剧大众化运动有着丰富的内容。一是在如何解决外来文化与本土文化的关系问题上进行了理论和实践的探索 ;二是对待中国传统戏曲的态度发生了积极的转变 ;三是去掉了固守“爱美剧”的洁癖 ,使左翼戏剧“职业化” ,进入文化市场 ,从而掀起了新的演剧浪潮 ,为中国现代戏剧步入繁荣期唱响了前奏曲。The popularization campaign of China's Left-wing dr am as has a rich content: ⑴ probing into the theory and practice concerning relati onship between exotic and native cultures; ⑵ an active change in attitude towar ds traditional Chinese operas; ⑶ ridding itself of the addiction to purity whic h stubbornly sticks to the “aesthetic drama', “professionalizing' the Left-win g dramas, and entering into the cultural market, thus generating a new wave of p utting on dramas, and striking up the prelude to the prosperity of dramas in con temporary China.

关 键 词：中国左翼戏剧 大众化 新演剧 

分 类 号：J802[艺术—戏剧戏曲]