试论莎士比亚见证“现代”概念的困惑源起  

Perplexity Origin of Shakespeare's Witness of "Modern" Concept

作　　者：赵秋棉[1] 骆礼鹏[1] 

机构地区：[1]衡水师范专科学校中文系,河北衡水053000

出　　处：《衡水师专学报》2004年第1期22-26,共5页Journal of Hengshui Normal College

摘　　要：莎士比亚在20世纪所承受的种种"现代"解读,暴露出"现代"概念与莎氏创作的某些深深困惑。文艺复兴对于"现代"概念的意义,使返回"现代"概念源起处对"现代"概念与莎氏创作进行结合考察成为可能。考察的结果是,基督教义末世观与资本主义金钱原则共同组构了"现代"概念的诸重困惑,并在某种程度上左右了莎氏的创作;而莎氏,正以其被左右了的创作见证了这些困惑。All kinds of 'modern'interpretations Shakespeare received in the 20th century expose the deep perplexity in 'modern' concept and Shakespeare's works. The significance of the Renaissance to 'modern' concept is that it makes it possible for us to return to the origin of 'modern' concept and to make combined investigation on both 'modern' concept and Shakespeare's works. The result of the investigation is that the eschatology of Christian doctrine and the worship of money in capitalist society composes the kinds of perplexities in 'modern' concept and to some extent affects Shakespeare and Shakespeare witnessed the perplexities with his affected works.

关 键 词：莎士比亚 基督教 资本主义 末世观 文学研究 英国 

分 类 号：I561[文学—其他各国文学]