试论影视剧艺术发展史中的两军对阵——兼论中国电影的发展趋向  

On the Contest between Two Forces in the History of the Development of the Art of Film-Video Plays ——and the trend of the development of Chinese movies

作　　者：黄俊杰[1] 

机构地区：[1]贵州大学中文系,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2004年第1期42-46,共5页Journal of Guizhou University Art Edition

基　　金：20 0 3年全国艺术科学规划课题暨贵州省 2 0 0 3年度"五个一"工程选题系列论文之一

摘　　要：中国的所谓娱乐片电影已进入西风东渐的后现代解构主义文艺思潮的肆虐阶段 ,对此喜忧参半险象丛生的中国当代电影文化现象 ,我们只要回顾一下影视剧发展历程中的两种美学观和两种商业观相对峙相制约的运行规律便不难找到解决的办法。但这种办法只能是顺应影视剧艺术自身的发展规律 ,使其在整个更为庞大的艺术星系中找到自己的位置进入自己的轨道 ,使其在内外各种复杂的吸引力和离心力的作用下保持在一个“常数”范围之内正常运转 ,与其他艺术星系及星体各得其所地平衡延伸下去。The so-called Chinese recreational films have come into a self-willed period of the post modernist thoughts in which the Western Wind becomes gradually stronger. In the face of Chinese contemporary film cultural phenomenon full of dangers, happiness and miseries, it is easy to find a solution, as long as we look back to the opposite and restricted rules between the two aesthetic views and two commercial views. However, the solution can only follow the rules of the development of the art of film-video plays themselves. It can find its orbit and position in a more tremendous artistic universe and can keep a invariable movement in the action of all kinds of complicated affinity and centrifugal, and it can evenly extend together with other universe and galaxy.

关 键 词：后现代 解构主义 纪实性 戏剧式 舞台化 常数 运转 

分 类 号：J90[艺术—电影电视艺术]