艺术平衡中的融合与超越——韩国电视剧艺术特色解读  

Amalgamation and Transcendency in an Artistic Balance: An Analysis on the Artistic Characteristics of Korean Teleplay

作　　者：谢建华[1] 

机构地区：[1]南京师范大学影视系,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2004年第1期39-42,共4页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：　韩国电视剧近年来在我国传媒市场上的商业成功,除了应归功于其形式上的贴近性和文化上的接近性外,更重要的原因在于其独具特色的艺术魅力。它能够在文化的大写意与生活的小写实、对白的铺陈与动作的简洁、调度的平面化与剪辑的立体化等多重艺术元素之间,实现有效的平衡和契合,从而使韩剧在对文化内涵的吸纳、融合中,实现了对电视剧固有美学特征的超越。The Korean teleplay has achieved commercial success in Chinese media market, which owed much to the formal and cultural proximity and, more important, the unique artistic fascination. It was capable of actualizing the effective balance and integration between the mulriple artistic elements such as culture and everyday life, dialogue expatiation and action terseness, planar arrangement and tridimensional edit etc. Consequently, the Korean teleplay implemented the transcendency over the inherent aesthetic characteristics of teleplay with the absorption and amalgamation of the culture connotation.

关 键 词：韩剧 艺术平衡 文化融合 叙事策略 

分 类 号：J905[艺术—电影电视艺术]