论中国古典抒情诗审美意象生成的心灵轨迹  

A metaphysical approach to the aesthetic image in Chinese classic lyrics

作　　者：杨善利[1] 

机构地区：[1]连云港职业技术学院,江苏连云港222006

出　　处：《河北师范大学学报（哲学社会科学版）》2004年第3期61-67,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：在中国古典抒情诗的创作和欣赏中,"意象"的审美是其最基本、最重要的途径之一。可以说,中国古典抒情诗的成长历程是在意象美的浸润里走向辉煌的。因此,探索诗人心灵审美意象生成的发展轨迹就成为重要的研究课题。中国古典抒情诗审美意象生成的心灵轨迹,实际上是诗人在"实象"的触发下引发的虚幻的想像或联想,由实入虚进而造成虚实相生的"象外之象"、"象外之意",再通过对意象的经营组合,组成有机的、有空间距离的、多层次的并产生连锁反应的不断衍生出的新的意象,形成双向流动的意象链,构成"象""意"生发无穷的艺术作品的过程。Since the aesthetic image is one of the most fundamental and significant aspects in the creation and appreciation of the Chinese classic lyrics, it acts as a catalytic agent, so to speak, to help the Chinese classic lyrics to flourish. Hence, what metaphysical image the poet holds in mind has fallen into the scope of research. The writer of the paper assumes that such image the poet obtains is derived from the actual scenery, which, in turn, gets projected and blurred into something visionary. Furthermore, the poet creates more of such visionary images by integrated, distal and multi-dimensional strokes so as to turn them finally into mutually floating chains of images.

关 键 词：意象 生成 心灵轨迹 

分 类 号：I206[文学—中国文学]