以家庭为题材的中国古典小说的发展情况概述  

An Overview of the Development of Chinese Classic Novels Taking Family as the Subject Matter

作　　者：艾丽辉[1] 

机构地区：[1]北京石油化工学院人文社科学院,北京102600

出　　处：《辽宁师范大学学报（社会科学版）》2004年第3期79-81,共3页Journal of Liaoning Normal University(Social Science Edition)

摘　　要：中国以家庭为题材的古代小说,以《金瓶梅》的出现为界明显分为两个时期:明中叶以前和明中叶以后。明以前还没有出现真正意义上的家庭小说,这一时期,家庭环境的描写是被忽略的,它只是作为故事发展设立的点缀而已,因而描写还不充分不完整。家庭人物少,人物关系简单,反映的也只是家庭生活的某一侧面而已。明清时期出现了以《金瓶梅》、《醒世姻缘传》、《林兰香》、《红楼梦》、《歧路灯》等为代表的大量的以家庭日常生活为主要描摹对象的章回小说,这才是真正意义上的家庭小说。它们在作品数量、家庭关系、家庭中的女性形象刻画、写实艺术几个方面都有自己的特点。With the emergence of Jinpingmei, family novels are clearly divided into two periods: before the middle period of the Ming Dynasty and after it. There were no real family novels before the Ming Dynasty because in this period, the description of family environment was neglected, taken only as a decoration made for the development of the story. There were fewer family members and their relations were very simple, which reflects only one side of family life. In the Ming and Qing Dynasties, there appeared Jinpingmei, Xingshiyinyuanzhuan, Linxianglan, Dream of the Red Chamber, Qiludeng, etc., which are representatives of chapter-novels taking family daily life as their subject matter, and these are family novels in essence. They have their own characteristics in terms of the quantity of works, family relation, depiction of the images of female characters, and realistic art, etc.

关 键 词：家庭小说 明中叶以前 明清家庭小说 

分 类 号：I206.2[文学—中国文学]