艾青与新诗诗体建设——艾青中后期诗歌的格律化倾向(之二)  

Ai Qing and the Cultivation of the New Poetic Style

作　　者：谢向红[1] 

机构地区：[1]首都师范大学文学院,北京100037

出　　处：《湖南科技大学学报（社会科学版）》2004年第3期99-103,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

摘　　要：百年新诗诗体建设滞后,诗体危机是目前新诗自身的首要危机。艾青早期诗歌追求散文美,反对音乐性;其中后期诗歌出现格律化倾向,追求音乐性。新诗应当加强音乐性,适当规范自由诗,克服其自由化和散文化之弊;大力发展现代格律诗,创建诗坛合理生态。这是艾青的诗歌探索历程给新诗诗体建设课题的启示。The cultivation of the New Poetry over the past century has not been fruitful. Crisis of the genre is the first one of the New Poetry itself. Ai Qing's early poems turn to prose and oppose musicality, those of his middle and late writings turn to prosody for musicality. It is necessary to strengthen musicality, to conform to the standards and to avoid the turn to freedom and prose for the maturity of the genre of the New Verse. It is also necessary to develop greatly the turn to modern prosody and establish a reasonable ecology in poetry. This is what he inspires us in the cultivation of the new poetic style in his long exploration of poetry.

关 键 词：艾青 诗歌 格律化 艺术风格 

分 类 号：I207.25[文学—中国文学]