中西传统绘画的线之比较  

The Comparison of Line Which the Midwest Tradition Paints

作　　者：张放[1] 

机构地区：[1]涪陵师范学院美术系,重庆408003

出　　处：《涪陵师范学院学报》2004年第3期122-124,共3页JOurnal of Fuling Teachers College

摘　　要：线是绘画重要的造型因素之一。中西文化精神和艺术观念的差异,使得中西传统绘画对于线的认识与运用呈现出迥异的风格特点。中国传统绘画的线在写形状物的同时,更有抒情达意的追求,它是主体与客体有机交融的产物,是“天人合一”思想的反映。西方传统绘画的线是建立在对形体空间的科学分析与认识基础上的,是对客体的理性再现。它自始至终贯穿着理性的精神,表现出主体受物理时空的制约,同客体始终处于相对对立的状态。The line is to paint one of the important modelling factors. Chinese and Western culture spirit and art the differences of idea, make Chinese and We stern paint and application present different style characteristics understandin g in line by tradition. China while writing the form thing, there is lyrical pur suit that expresses one′s ideas by line who tradition paint, it is the organic result that blend of subject and object, is the reflection of the thought that “people unify on day”. The line painting in western tradition is setting up to on the scientific analysis of the physique space and foundation of realizing, i t is the reason to the object that is reproduced. It is running through the spir it of reason from start to finish, demonstrates that the subject receives the re striction of space-time of physics, in the relative state that sets with the ob ject against throughout.

关 键 词：中西传统绘画 线 情感表现 理性再现 

分 类 号：J211.2[艺术—美术]