英雄的颠覆与历史的还原──莫言的《檀香刑》与李洱的《花腔》之比较  

The Subversion of Hero and the Restore of History

作　　者：郭海荣[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《中州大学学报》2004年第2期34-37,共4页Journal of Zhongzhou University

摘　　要：莫言的《檀香刑》和李洱的《花腔》各自以独特的叙事方式对英雄的本真状态和知识分子的境遇做了较为深入的探索和阐释 ,在对历史题材的重新讲述中 ,追寻出历史的复杂与荒诞。这两部作品的出现其实也是文坛对于理性思考、叙事技巧和英雄人物的呼唤所致。由于莫言和李洱的写作方式和关注重心各有侧重 。In distinctive ways of narration, TanXiangXing written by Moyan and HuaQiang by Lier give respectively exploration and explanation for heroes'innate character and intellectual'circumstances. Moreover, both works pursue complication and absurdity of history through re-narration of historical theme. The occurrence of both works echo to the call of literary circles for rational way of thinking, narrative skills and heroic people. Owing to special emphasis on writing ways and different concerns, the relation and comparison between both works are much more distinctive.

关 键 词：莫言 《檀香刑》 李洱 《花腔》 小说评论 历史题材 知识分子 叙事话语 

分 类 号：I207.42[文学—中国文学]