论江湖词派的词学理论  

The Morphological Theory of JiangHu Poetry School

作　　者：郭锋[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《新疆大学学报（社会科学版）》2004年第2期92-96,共5页Journal of Xinjiang University(Social Science Edition)

摘　　要：南宋江湖词派的词学理论主要有三部:《乐府指迷》传吴文英的词法,以清真词作为典范,讲求下字运意的法度。《词源》虽然在字面、句法上,与《乐府指迷》相同,但它更重视词的命意,主张用姜白石的“骚雅”来润色清真的意趣不高。《词旨》强调《词源》的论词之旨,补充修正了一些《词源》表述不清或较为偏颇之处。作为同一词学流派的词法,它们递相祖述,使江湖词派成为一个比较典型的词学流派。There are three theoretical works of Jianghu poetry school: 'YueFu guide' records Wuwen ying' sentence structure. With Qingkong poetry as model, it tries to carry out the operation of the law. The same as 'YueFu replenishment' in literary and sentence structure, 'CiYuan' pays more attention to the meaning,insisting polishing the lack of interest and charm with Sao Ya of BaiShi. 'Ci zhi' emphasizes the aim of poetry theory and replenished and corrected some confusion and partial points of 'Ci yuan'. As the morphology of the same school,the three continued from generation to generation, made the JiangHu poetry school a typical one.

关 键 词：南宋 江湖词派 词学理论 《乐府指迷》 《词源》 《词旨》 

分 类 号：I207.23[文学—中国文学]