宋代郊庙仪式声诗的舒迟和雅风格及其形成  

Mild and Graceful Style of Sheng-poetry in Ceremony of Suburbs Temple in Song Dynasy and Its Formation

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《西北师大学报（社会科学版）》2004年第4期1-5,共5页Journal of Northwest Normal University(Social Sciences)

基　　金：国家社会科学基金资助项目(03BZW036)

摘　　要：用于郊庙祭祀等仪式的声诗,即雅乐的乐章被赋予了统治者的政治理想,也是中国古代社会礼乐文化的重要体现。其歌辞的撰写、表演风格的形成,均典型地映现着当时的文化特质。本文在对比历代郊庙声诗形式构成的基础上,对宋代郊庙声诗的总体风格进行了全面评析。认为宋代郊庙声诗风格舒迟和雅,鲜明地表现出模范"古乐"传统、全然雅颂化的倾向。这一风格的形成与宋代文化建设中浓厚的复古思潮息息相关。Sheng-poetry that was used to offer sacrifices to gods in ceremony of suburbs temple represented political ideal of ruling class.It was also an important of ceremonial and musical civilization of chain.Its creation and style of performance all typically embodied feature of civilization in a particular period.This article an overall analysis of total style of sheng-poetry in ceremony of suburbs temple in Song Dynasty.The author thought that its style was mind and graceful and sharply reflected an imitation of past'Three-Dynasties'and a ceremonial tendency made completely.The style was formed close contacts with trends of thought in pronounced'back of the ancients'of caltural construction of Sang Dynasty.

关 键 词：宋代 仪式声诗 舒迟和雅 形成 

分 类 号：I206.2[文学—中国文学]