漆变——现代漆画的物质性与精神性  

Aesthetic Orientation of Modern Lacquer Painting

作　　者：陈冀湘[1] 

机构地区：[1]湖南师范大学工学院装潢设计系,湖南长沙410081

出　　处：《株洲工学院学报》2004年第4期72-73,共2页Journal of Zhuzhou Institute of Technology

摘　　要：物质与精神对立统一的辨证关系对现代漆画创作具有启发性意义。漆艺术发展过程中内敛与外延的探讨丰富和发展了漆艺术的精神内涵。强调现代漆画创作思维的多样性、丰富性和兼收并蓄特性,谋求物质与精神表达的双丰收。The focus is on the transform of modern lacquer painting and its spiritual orientation to the system of modern painting. Modern lacquer painting derives inspiration from the dialectical unity of material and spirit in artistic creation. The author also emphasizes the diversity, multiplicity and all-inclusiveness of modern lacquer painting and pursues the successful expression of material and spirit.

关 键 词：漆变 现代漆画 漆画技巧 

分 类 号：J213.9[艺术—美术]