皮阿蒂《12首大提琴随想曲》研究  

Research on Piatti's 12 Capriccios for Cello

作　　者：吴秀云[1] 

机构地区：[1]天津音乐学院管弦系,大提琴副教授。天津300171

出　　处：《天津音乐学院学报》2004年第2期70-76,86,共8页Journal of Tianjin Conservatory of Music

摘　　要：意大利的皮阿蒂是 (A .Piatti 1 82 2——— 1 90 1 )十九世纪欧洲杰出的大提琴艺术家。他的演奏技艺名满天下 ;他的学者风范令人仰慕 ;他的改革创新收获颇丰 ;他的名篇佳作后人受益。在欧洲大提琴演奏发展史中 ,他的功绩卓著。由皮阿蒂编订的博克里尼六首大提琴奏鸣曲 ,以及数量可观、移植改编的大提琴作品 ,在世界大提琴教学领域中 ,发挥着不可替代的重要作用。皮阿蒂集演奏、教学、创作于一身 ,《1 2首大提琴随想曲》Op .2 5是他的经典创作作品。综观这部随想曲集 :从学术技术信息、综合训练价值、音乐艺术魅力等多方面衡量 ,都可堪称大提琴高级阶段训练与演奏不可多得的上佳教材。本文主旨在于尽可能客观详细分析这部随想曲 。Alfredo Piatti (1822-1901) is an outstanding cello master in Europe in 19th centaury, whose performing skill is world-renowned, whose scholarship is well admired, whose reformation and innovation are so fruitful, and whose works are so helpful. In the cello developing history in Europe, Piatti's contribution is significant. Boccherini's 6 sonatas for cello, compiled by Piatti, as well as a remarkable number of rearranged cello works play indispensable role in the cello teaching field throughout the world. Piatti is an expert in performing, teaching, and composing. The 12 capriccios for cello (Op. 25) are his classic masterpieces. Viewing this collection on a whole, the academic and technical information, the comprehensive drilling value, and the musical and artistic charm all makes it an exceptional textbook for the advanced cello drilling and performing stage. The gist of this article is to objectively analyze these pieces in detail, and attempt to observe the historical value and present efficacy of the masterpieces in multi-angles.

关 键 词：皮阿蒂 意大利 《12首大提琴随想曲》 演奏技艺 技术信息 历史价值 

分 类 号：J657.23[艺术—音乐]